Wednesday, 13 November 2024
Falling Forward
Sunday, 16 April 2023
Endpoint
Endpoint were a five-piece hardcore/emo band from Louisville, Kentucky that formed in 1987 and broke up in 1994, with reunion shows occurring in 2010. They were pretty prolific, releasing four full-lengths and a handful of other releases. Throughout their tenure, they clearly evolved, going from a fairly straight-forward hardcore punk to adopting melodic elements, angular rhythms, and slower tempos, which is why they're often cited as a precursor to midwest emo. There's a great article here that dives into their history more if you're interested. If you're new to this band, Catharsis is probably their best release, and a good starting point as it's a nice blend of their early and later sound. Enjoy.
Sunday, 18 September 2022
Squirrel Bait
Their sonic trajectory can be loosely compared to bands such as The Replacements or Hüsker Dü, who took their energetic punk origins and blended it with catchy songwriting and big, melodic, distorted and reverberated guitars. Squirrel Bait's influence was immediately felt, especially in the emerging grunge and emo scenes at the time. One listen through of their EP will reveal just how foundational they are, as it predates the sounds that would define a decade years before that decade even began. It's no surprise that the likes of Bob Mould and Dave Grohl have been known to sing their praises. Members of this band went on to a ton of other amazing projects. Most notably, guitarist Brian McMahon and drummer Britt Walford formed Slint, another genre-defying and hugely influential project. Walford was also a member of The Breeders, and played on Pod. David Grubbs went on to play in Bastro and Bitch Magnet. Enjoy.
Friday, 23 April 2021
Coliseum
Coliseum were a three-piece hardcore band from Louisville, Kentucky that began in 2003 and broke up in 2015. They remained very prolific in that time, with five full-lengths and a slew of other releases. Sonically, they were incredibly progressive and thus hard to pin down. Their origins are rooted in hardcore and punk, delivering heavy riffs and aggressive vocals on early releases like their self-titled debut and the essential EP Goddamage. They carried on with the riff-heavy sound like a hardcore-oriented Torche, while beginning to branch out into more melodic off-shoots of punk. There's a notable post-hardcore sound in their later years, with influence clearly stemming from bands like Jawbox and Quicksand. The vocals became capable of sing-alongs, while the riffs/instrumentals brought in more space and groove. There's a lot to dive into here, but I'd suggest starting with the five studio albums, with Coliseum if you're looking for a slightly more traditional punk take, or Anxiety's Kiss if you're looking a unique, indie hardcore sound. Then just work your way back or forward depending on where you started. Enjoy.
Wednesday, 9 December 2020
Elliott
Thursday, 13 December 2018
June of 44
June of 44 are often compared to Slint, with the winding, dissonant arpeggios, narrative-style spoken vocals, and unorthodox rhythms. When they hit their peaks though, they really hit a high-point, letting out the uninhibited ferocity of a band like Big Black with the instrumentally interlocked mastery of Fugazi. With each new album the band evolved and matured, growing into a more experimental act by incorporating dub and post-rock (especially on the latter halves of their last two albums, which was probably a result of their side project HiM), as well as jazz and emphasized percussive elements. Enjoy.



















































