
Sunday, 21 December 2025
Hum

Saturday, 23 December 2023
Parannoul
Parannoul (파란노을) is a post-rock/shoegaze/emo project from Seoul, South Korea. Any other information about them is unknown as they operate completely anonymously, though it does seem to be just one person. They first began releasing music online in 2017 using the moniker laststar, which became Parannoul in 2020. He's also used the name Mydreamfever. Parannoul is a name I've seen pop up for the last few years now, and admittedly never took the time to delve into. Even when After The Magic a Topshelf release garnering positive acclaim, I still didn't get around to listening to it. I fully admit to being ashamed of myself, because it took me up until a few weeks ago to experience the lush and gorgeous experience this album has to offer.
It's artwork really encapsulates the feelings this record evokes, with an amplified brightness and burst of colour from the sun's reflection on freshly fallen snow. It's captures that shimmer through 10 tracks of beautiful guitar work that sounds absolutely massive on cuts like "Arrival" and "Imagination" or contemplative like "We Shine At Night" or "After The Magic". It's paired with a varied instrumental palette, which extends to strings and electronics. Vocally, the melodies are absolutely mesmering, particularly "We Shine At Night". Much like Sigur Rós, there's an emotional conveyance despite not being able to understand the actual words, and the vocals work in tandem with the instrumentals to create one seamless work. I'm sure this isn't doing it any justice, it's worth just checking out for yourself, and I look forward to going through his back catalogue to close out this year. Enjoy.
Monday, 23 October 2023
Dreamwell
Tuesday, 26 September 2023
High Vis
8. Untethered
Saturday, 22 April 2023
Modern Color
Modern Color are a four-piece hardcore/alternative band from Redondo Beach, California that formed in 2014. Since then, they've released three full-lengths and a handful of EP's. Sonically, the band has evolved quite a bit over the years, though they've always been rooted in a distinct cross-section between hardcore and shoegaze/alternative rock, bringing the fury and energy of the former and fusing it with the thick reverb and melodic depth of the latter.
Early on, they learn heavily to the hardcore side of the spectrum, with aggressive vocals and pummelling delivery. Their more recent material has leaned into the more melodic aspects of their sound, incorporating mostly clean vocals and a Hum/Dinosaur Jr.-inspired sound that would appeal to fans of bands like Basement, Superheaven, and Turnover. Personally, I lean towards the Chromesthesia side of things (not to mention, the band and album name seem so fitting for this project), though I think From The Leaves Of Your Garden has more widespread appeal. Enjoy.
Friday, 28 October 2022
Holy Fawn
Holy Fawn are a four-piece post-rock/shoegaze band from Phoenix, Arizona that began in 2015. Since then, they've released two full-lengths and a few EP's/singles. Sonically, they play a dark and expansive take on post-rock that's simultaneously foreboding and ethereal, with shimmering tremolos and hard-hitting riffs. They reach immaculately heavy crescendos with walls of distortion and reverb, while the driving rhythm section give them a real energy and urgency, with soft vocals splashed against the background of the noise. Fans of bands including Slow Crush, Greet Death, Nothing, Deafheaven or Cloakroom should absolutely give this a listen if you haven't already. Enjoy.

Tuesday, 15 December 2020
Black Tambourine
Black Tambourine were a four-piece indie pop band from Washington, DC that were initially around from 1989 to 1992. They took influence from bands such as The Jesus and Mary Chain, Beat Happening, The Vaselines, and My Bloody Valentine. Black Tambourine crafted simple, cheery songs with 60's pop sensibilities and added twangy guitars slathered in reverb and distortion. During their initial incarnation, they only put out two singles and a few compilation tracks. That small output would prove to be immensely influential, as their noisy, lo-fi sound, and sweet, airy vocals became staples of twee, dream and indie pop as a whole.
Their legacy was cemented on a compilation released in 1999, titled Complete Recordings. This was a widely-circulated discography, as their actual 7"'s had become hard to find. The title is slightly misleading, as it didn't include all of their recordings. In 2010, another discography was put out to replace the previous one. This new one ncluded the same tracklist as Complete Recordings, in addition to six additional songs. The band reconvened in 2009 to record four new tracks that they used to play live but never recorded. The new songs included two originals and covers of "Heartbeat" by Buddy Holly and the classic "Dream Baby Dream" by Suicide. These four songs were included on the 2010 discography, along with two previously unreleased demos. Two years after that, they released a newly-recorded EP of Ramones covers in celebration of the 20th anniversary of singer Pam Berry's magazine Chickfactor.
It's been a few years since I've listened to this band. Revisiting them is a fantastic reminder of how irresistibly charming these songs are, and how clear their influence can be heard in so many bands from the past decade or so. Enjoy.
















































