Wednesday, 8 February 2023
Love Like... Electrocution
Tuesday, 7 February 2023
Barrow
Barrow were a four-piece post-hardcore/screamo/post-rock band from Greensboro, North Carolina that formed in 2009 and ended in 2015, with a final reunion show taking place in 2017. They released two full-lengths, a split, and demo in that time. This band's sound is pretty hard to pin down, as it was incredibly dynamic, layered, and above all, cathartic. As a rudimentary description, they blended the heavy, rhythmtic lurching of post-hardcore acts with the chaosa and impassioned vocals of screamo, all between intermittent breaks of lush, reverb and delay-heavy guitars and melodic singing borrowed from post-rock. It's a sound that could appeal to a wide spectrum of fans of bands as varied as Apart, Caravels, or Moving Mountains. Barrow also made incredible use of their two vocalists, who played off and with each other so naturally, making everything sung or screamed absolutely magnified. This band was incredible, and worth finally getting around to share on here. If you're new to this band, my suggested starting point would be Being Without. Members now play in Rotting In Dirt, who are absolutely worth checking out too. Enjoy.
Jade Dust
Take It To Heart
Saturday, 4 February 2023
No Trend
No Trend were a noise rock/post-punk band from Ashton, Maryland that were around from 1982 to 1988. The first incarnation of the band was a four-piece, comprised of members who came into the band with a punk/hardcore background. Despite this, they were intentionally antagonistic towards the DC scene they existed in the periphery of, wanting to eschew the subculture that had grown out of it. They set out to make music that they wanted to make, with no creed or agenda, and it shows. For their early material, Flipper and Saccharine Trust are often cited as loose comparisons, though No Trend really did occupy a space of their own. Teen Love was their debut, a 7" they self-released (as they would for the majority of their material). This was followed up by a full-length, Too Many Humans. These are the best introductions to the band, as they immediately throw you into the misanthropic, nihilistic world they created. Through driving bass lines, pummelling drums, and trebly feedback-laden guitars, vocalist Jeff Mentges delivered shrieks, screams, and the occasional spoken word. It makes for an impactful listen, and highly recommended to anyone looking for raw, unbridled negativity.
Following these early years, the band experienced a line-up overhaul, with Mentges being the only original member left for by their second album. 1985's A Dozen Dead Roses was a major shift from the overt, noisy and hardcore-adjacent sound they were founded on. Though there are still flashes of that, they expanded their sonic palette to include elements of funk and jazz, while keeping the bass as the driving force behind these songs. Instrumentally, their palette is widened to include synths and saxophones, and the guitars are laden with chorus, taking on a more traditional lead role with a litany of classic rock-esque solos. A handful of tracks were also done as collabs with Lydia Lunch, which were also released on a separate EP. Overall, I absolutely love this album, as much as their early work, because it maintains that desperate, pessimistic aggression while exploring a new, genuinely unique avenue.
By 1986, the band had now rounded out as 12-piece to include strings, horns, and synths as mainstays of their sound. They continued on this wave of hybrid experimentation into their next full-length, with more layers of instrumentation and a cleaner sound. This record was put out by Touch And Go, their first to not be self-released. It was followed by another album slated to be released in 1989, but was shelved until 2001. More, as it became, completed their full heel-turn into deconstructionist jazz-funk, with their cleanest sound to date, but too Beefheartian avant-garde to ever come close to a traditional rock outfit.
No Trend were a one-of-a-kind band with an equally intriguing legacy. There's a few great articles that came out around the reissue of Too Many Humans / Teen Love, which I suggest checking from Bandcamp, The Washington Post and Tidal for more information. If you're new to this band, the aforementioned reissue is probably your best bet for a starting point. Enjoy.
Friday, 27 January 2023
Vicious Cycle
Wednesday, 25 January 2023
Korea Girl
Korea Girl were a four-piece indie pop/emo band from San Jose, California that formed in 1996 and broke up in 1999. In that time, they released one 7" and one album, both of which were put out by Asian Man Records. Though they didn't last long, they did leave this fantastic and incredibly underrated LP behind. These songs are distinct and varied, ranging from melancholic slow burns to catchy choruses to dissonant alt. rock. They play with mostly clean, chord-driven guitars, though do dabble in light bouts of distortion. The band also featured two vocalists, who could both hold their own independently, but also come together for some incredibly elevated harmonies. Not to make direct comparisons here, but it wouldn't be surprising to find out this band was influenced by the likes of Mazzy Star, Velocity Girl, Pavement, and Superchunk, so if that's up your alley, do not miss this often overlooked album. Enjoy.
Dæphne
Monday, 23 January 2023
Ice Hockey
Ice Hockey were a five-piece screamo band from the Quad Cities (region of cities split between Iowa and Illinois) that were active from 2013 to 2018. They released an EP and two albums, along with a few misc. tracks. The band played a distinct brand of screamo that blended its more chaotic elements with melancholic melody, with seering vocals atop rhytmically complex instrumentals and noodle-heavy guitars. On their final record, A Brief History Of Time they also began incorporating keyboards and synths, which added an entirely new uniquely atmospheric layer to their already-established incredible sound. It's emotional and explosive, what more do you need? If you're a fan of bands including Off Minor, Ten Grand, or The Kodan Armada, do check this out. Enjoy.















































