Showing posts with label slowcore. Show all posts
Showing posts with label slowcore. Show all posts

Saturday, 9 December 2023

Deathcrash

deathcrash are a four-piece slowcore/post-rock band from London, England that formed in 2018. They debuted with a series of self-recordings featuring relatively, reverb-heavy lo-fi arpeggios and meandering, drawl-like vocals. Along with the occasional distorted, dissonant climaxes, you get a sound that sits at the intersection between Codeine, Mogwai, and Slint. They quickly progressed and refined that foundational sound over an EP and debut LP, which saw them craft these sprawling songs with cleaner production. They also come more into their own sonically, moving away from the obvious influence that permeated their earliest material.

Earlier this year, their sophomore album Less was released. This is a much more subdued, almost sparse affair. There's a tinge of midwest emo influence, along with these whisper-thin, quivering vocals. This is a somber, reflective and melancholic listen, with each note seeming to ring out and linger. The build-ups are layered but still sound spacious, with some potent highs being hit, particularly on "Empty Heavy" and "Dead, Crashed", which incorporate these layered, almost screamed vocals. It's a stark contrast to the record's predominantly slow pace, which makes it sound that much more immense. Anyway, this is one of the year's finest albums in my opinion, so if it sounds like it's up your alley, do yourself a favour and give it a listen if you haven't already. Enjoy!


1. Slumber
2. Bones

1. Don't Shoot!
2. Slowed
3. Sclarb
4. Hydraulic Jump
5. Speed

1. People thought my windows were stars
2. Bind
3. songs m i-iv

1. Sundown
2. Unwind
3. Horses
4. American Metal
5. Matt's Song
6. Wrestle With Jimmy
7. Metro I
8. Slowday
9. Was Living
10. What To Do
11. Doomcrash
12. The Low Anthem

1. Pirouette
2. Empty Heavy
3. Duffy's
4. And Now I Am Lit
5. Distance Song
6. Turn
7. Dead, Crashed

Sunday, 17 January 2021

The Goalie's Anxiety At The Penalty Kick


The Goalie's Anxiety At The Penalty Kick are a six-piece slowcore band from Philadelphia, Pennsylvania that began in 2018. I figured the best way to start off 2021 is with one of the best albums I just missed out on in 2020, which is their debut LP Ways Of Hearing. This was released by Count Your Lucky Stars last October, and I cannot believe I spent the last two and half months oblivious to this. This sounds like Carissa's Wierd reincarnated, which are one of my favourite bands of all time. With the forlorn strings, gentle acoustic arpeggios, and barely muttered dual vocals, this all harkens back to the best of CW. Having said that, thanks to the finely crafted songs and instrumental variety, that connection comes off more as an influence than a direct replica. This is the kind of album that's meant to be listened to alone, in the dark, when its below freezing out. Enjoy.

1. jars filled with rain
2. an olive coat
3. the best of all possible worlds

1. an olive coat
2. we love you so much
3. jars filled with rain
4. the best of all possible worlds
5. the cat stands on my arm
6. winston's theme
7. god's country
8. joseph stalin
9. closer
10. everyone around us

Friday, 8 November 2019

Greet Death


Greet Death are a three-piece shoegaze band from Flint, Michigan that began in 2011 under the name Pines. To date they've released an EP and two LP's, the most recent of which was released on Deathwish today. Sonically, they make constant use of ethereal reverb, droning chords, that come together in crushing, distorted climaxes that ascend incredible heights when played past max volume. Their songwriting ability is also noteworthy, with the vocals often taking the forefront in ways slightly unexpected from the genre. Fans of bands like Cloakroom, Nothing, Thunder Dreamer, Ovlov and Hum will take particular interest in here, especially considering some of the slowcore and alternative rock influences thrown into the mix. Their debut LP is a solid outing, with stand-out tracks including "Black Hole Jesus Christ" and "Cumbersome". Their most recent album, New Hell is an incredible outing that shows the band coming into their own with a unique style and interpretation of their influences. Each new song offers up a different idea, with standout track being "Strange Days" (it'll take a few more listens to determine more, but so far it's fantastic from start to end). Enjoy.

1. In Heaven
2. Your Lull

1. Sheets of White
2. Bow
3. Valediction
4. The Waste
5. Black Hole Jesus Christ
6. Dragged To Hell
7. Again
8. Cumbersome
9. Dixieland

1. Circles Of Hell
2. Do You Feel Nothing?
3. Let It Die
4. You're Gonna Hate What You've Done
5. Entertainment
6. Strange Days
7. Strain
8. Crush
9. New Hell

1. New Low
2. Panic Song
3. Punishment Existence
4. Your Love Is Alcohol
5. I Hate Everything

1. Die in Love
2. Same but Different Now
3. Country Girl
4. Red Rocket
5. Emptiness Is Everywhere
6. August Underground
7. Small Town Cemetery
8. Motherfucker
9. Love Me When You Leave

Monday, 6 February 2017

Giles Corey


Giles Corey is a project created by Dan Barrett, a Connecticut musician who is also known for another project of his, Have A Nice Life. This particular project, Giles Corey, has been active since 2011 with the release of a self-titled album. It's garnered nothing but acclaim over the years, and for good reason. It's difficult to figure out a place to begin in describing this album (and all his work, for that matter). For one, and this is going to sound incredibly pretentious, but Barrett creates more than music, he crafts an experience. The atmospheres he creates are lonely, desolate, and most of all, engaging. From the artwork, to the book that accompanies this album, Giles Corey is a project that requires one's full immersion in. There is a clear, personal emotional intensity here, which simultaneously explores Barrett's own psyche, while also creating something for any listener to relate and indulge in. This kind of music is for the lowest points in life, and in exploring the darkest recesses of the mind, somehow a light at the end of the tunnel is found. Or something like that. Though though certainly are philosophical and emotional elements in his work, to quickly speak on the music alone here, it's absolutely fantastic. These atmospheres created with just an acoustic guitar, layers of breathy vocals, light percussion, and some background orchestral swelling reflects the depressive nature of this music alone, without even having to explore the book or lyrical accompaniments. Just by listening, this album still takes the listener on a conceptual journey through a person's depression and brink of suicide. I honestly can't recommend this enough.

What's essential here is the self-titled album, which also includes a booklet only included if you buy it on Bandcamp (which I highly recommend doing, but I've provided just the musical portion of it here). The follow-up Deconstructionist is technically not an album, but is described as a "philosophical tool". Again, I recommend reading more into it on Bandcamp, which also includes another booklet in its download. Hinterkaifeck is a fairly straight-forward EP, and Live in the Middle of Nowhere a fairly straight-forward live album (he even does some Have A Nice Life songs). Enjoy.

1. The Haunting Presence
2. Blackest Bile
3. Grave Filled With Books
4. Empty Churches
5. I'm Going To Do It
6. Spectral Bride
7. Nobody's Ever Going To Want Me
8. A Sleeping Heart
9. Buried Above Ground

1. Awake Now
2. Infinite Death
3. Epsilon

1. Winter's House
2. Guilt Is My Boyfriend
3. Wounded Wolf

1. Blackest Bile
2. Grave Filled With Books
3. Guilt Is My Boyfriend
4. The Icon And The Axe
5. Deep, Deep
6. Earthmover
7. Wounded Wolf
8. Spectral Bride

Friday, 16 October 2015

Cigarettes After Sex


Cigarettes After Sex are an indie/slowcore band that originated from El Paso, Texas in 2008, though they got their proper start in 2012 when they relocated to Brooklyn, New York, which is where they are currently based out of. Their debut EP was released in 2012, and garnered quite a bit of attention over time, which is definitely deserved. For one, these four songs are practically flawless. Think of the atmosphere and gentle vocals of Slowdive mixed with the dark, evil twin version of a Pixies bass line. They can be slow and moody, but strangely optimistic, which works out to be the perfect dynamical paradox. I highly recommend their first EP, it's a perfect example of how slowcore/shoegaze/whatever you want to call it can perfectly mesh atmospheric sounds with pop sensibilities.

After a few years and some major line-up shifts, their second EP (if it can be called that) was just released this month. It's only one song, but it's one damn good song. "Affection" picks up where they left off, but with a little higher production value, and a very prominent, swelling electric guitar to add some weight to the song. This band's small but sweet discography is highly worth the listen, so enjoy.

1. Our Last Day
2. The Night Train
3. You
4. Please Don't Cry
5. Woman With a Crow The Last Train
6. Sing
7. Lay Here
8. Every Light Is Out
9. I Can't Stop These Tears From Falling
10. Run Towards your Fears
11. Do You Know Where I Should Go?

Note: Sometimes referred to as self-titled

1. Nothing's Gonna Hurt You Baby
2. I'm a Firefighter
3. Dreaming of You
4. Starry Eyes

1. Affection
2. Keep On Loving You

1. K.
2. Each Time You Fall In Love
3. Sunsetz
4. Apocalypse
5. Flash
6. Sweet
7. Opera House
8. Truly
9. John Wayne
10. Young & Dumb

1. Don't Let Me Go
2. Kiss It Off Me
3. Heavenly
4. You're The Only Good Thing In My Life
5. Touch
6. Hentai
7. Cry
8. Falling In Love
9. Pure

Thursday, 27 November 2014

Cloakroom


Cloakroom are a three-piece emo/shoegaze/slowcore/post-rock band from Indiana that formed in 2012. The band includes singer/guitarist Doyle Martin, who was formerly in Grown Ups, as well as bassist Bobby Markos, who is also in Native. Cloakroom is quite different to its members other projects, though just as phenomenal. The band creates a monstrous instrumental sound, which is constructed by pounding drums, loud, distorted bass, and a massive, distorted, shimmering guitar sound that recalls the greats of shoegaze. Their droning, reverberated vocals sound downtrodden and apathetic, an essential to the slowcore aesthetic. They also utilize numerous dynamics, constantly switching between clean, quiet, and melodic sections to all-out powerful, noisy, fuzzed-out melancholy. Cloakrom consistently create amazing atmospheres that are equally depressing and euphoric. You could think of them as Pedro The Lion meets Jesu meets My Bloody Valentine meets Have A Nice Life, or something of the sort. Definitely check this band out if you're interested in more modern bands such as Whirr, as well as the current collection of Run For Cover bands that have been dominating lately, since Cloakroom are now a a part of that family. Their small discography up to this point is absolutely blistering, so enjoy!

1. Sedimentary
2. E
3. Dream Journal
4. Bending
5. Mind Funeral

1. Frances Farmer Will Have Her Revenge on Seattle (Nirvana cover)
2. Never Let Me Down Again (Depeche Mode cover)

1. Lossed Over
2. Dream Warden

1. Paperweight
2. Outta Spite
3. Moon Funeral
4. Lossed Over
5. Mesmer
6. Starchild Skull
7. Asymmetrical
8. Clean Moon
9. Sylph
10. Deep Sea Station

1. Gone But Not Entirely
2. Big World
3. Concrete Gallery
4. Seedless Star
5. Sickle Moon Blues
6. Hymnal
7. The Sun Won't Let Us Go
8. Time Well
9. 52Hz Whale
10. The Passenger

1. Lost Meaning
2. Dissolution Wave
3. A Force At Play
4. Dottie-Back Thrush
5. Fear Of Being Fixed
6. Lambspring
7. Doubts
8. Dissembler

Saturday, 28 June 2014

Carissa's Wierd

This marks the 200th post here on Sophie's Floorboard, so thank you so much for all the support! I hope you've all found something to enjoy and continue to spread word about on here! Here's a band that I am so happy that gets requested so much, because they are easily one of my favourites.


It's winter. All that's in sight is the blurry white of the snow, and the dead branches reaching from the trees like limbs of other lost souls. In the distance, a shadowy cabin emerges, an isolated relic in this wasteland of ice and cold. Stepping inside, there isn't much more warmth, but the stillness does provide a sense of shelter from the torment outdoors. The layers of dust collected on old bookshelves and kitchen counters cover them like grey bed sheets. The floorboards moan and creak, like the sad whispers of Mat Brooke, both missing ones that were once there. The walls echo back with the voice of Jenn Ghetto, the ghostly accompaniment in harmonious tranquility and despair. From the dead winter of the forest, the drawn-out note of a violin, the soft plink of a piano key, the gentle tap of a drum, the intimate strum of a guitar slowly start to grow. And soon your head is in your hands, missing the only thing you've ever loved, now lost.

This is Carissa's Wierd, somber music for those questionably sober. Like the cabin in the woods, the band's history has been somewhat lost. Virtually no information is known about their time as an actual band, except that they were from Seattle, Washington, and existed from 1996-2003. Prior to the band, founding members Mat Brooke, Jenn Ghetto, and Ben Bridwell were all from Tucson, before moving to Olympia, Washington, and eventually ending up in Seattle. In 2010, they reunited to put out a retrospective album of "best of" material, as well as play a single reunion show. In 2011, the band played two reunion shows, as well as a put out a new EP, Tucson.


The first Carissa's Wierd album, Ugly But Honest, was put out on Bridwell's label Brown Records in 1999. It featured songs the band had been working on from 1996-1999, most of which are fairly stripped down and lo-fi in their sound. Featuring lots of reverb and distant vocals, as well as the distinctive melancholic guitar arpeggios, it is enough to drown the spirits in sorrow alone. Production value increased on their next release, You Should Be At Home Here in 2001, also on Brown Records. The songs become more expansive, with more length and exploration as the band become tighter as a group. This is an absolutely amazing with some stunning standout songs ("All Apologies And Smiles, Yours Truly, Ugly Valentine", The Color That Your Eyes Changed With The Color Of Your Hair", "Brooke Daniels' Tiny Broken Finger", "The Part About The Vine Thats Growing Through The Window And Reaching Towards My Bed"). The follow-up to this was their seminal album Songs About Leaving. This is easily one of my favourite albums ever, their most highly regarded, and overall the soundtrack to sadness. Each song is dripping with mourning and loss, and they weigh heavy on the listener, curled up in the fetal position. The production work is astounding, featuring the array of instrumentation seamlessly blending together, the harmonies are top-notch here, and the production work is an even bigger step up, since they worked with with Sad Robot Records (Bridwell temporarily shut down Brown Records). Unfortunately, this was also their swan song, since they broke up a little while after. The next release of theirs, Scrap Book, featured rare and unreleased songs from the band, some alternative versions of songs, and a handful covers by some very noteworthy names (The Smiths, Joy Division, John Frusciante, Leonard Cohen). 2004's I Before E featured three songs never released before (also some of their best), which were "Phantom Fireworks", "Die", and "Blue Champagne Glass". The remainder of the album is a live recording from their last show, which features songs from all three of their albums. For many years, the band was inactive. 2010 brought the compilation They'll Only Miss You When You Leave: Songs 1996-2003, which is a great introduction to them and contains some of their best work. They put it out on Hardly Art, a subsidiary label of Sub Pop. Their reunion in 2011 brought the two-track EP Tucson, which was newly recorded material.


Besides the beautiful music this band crafted that has too often gone overlooked, they are best known for their line-up of musicians who would go on to work on many notable projects. Their first drummer, who also joined them for their reunion shows, Robin Peringer, was a a touring guitarist with Modest Mouse for a while. Singer/guitarist Jenn Ghetto has been active with her solo project S both during and after Carissa's Wierd. I highly suggest checking out S, their sound is very similar to Carissa's Wierd. Singer/guitarist Mat Brooke has also been active in his own band, Grand Archives. Drummer Sera Cahoone has put out a few solo records with Sub Pop and collaborated with numerous musicians.The most notable project formed post-Carissa's Wierd was none other than the brilliant Band of Horses, who achieved a level of commercial success Carissa's Wierd never came close to. Band of Horses is the brainchild of Ben Bridwell, who was more or less a background figure in Carissa's Wierd, oddly enough. He began on drums and switched to bass in Carissa's Wierd, but took guitar, vocal, and songwriting duties on in Band Of Horses. On their first album, Everything All The Time, both Mat Brooke and Sera Cahoone are both members of the band, with Bridwell fronting them this time. Robin Peringer also worked with Band Of Horses on occasion later in their career.

So, please appreciate one of the most overlooked and underrated bands in indie rock history. This band means a lot to me, and I'm sure they do to a lot of people who they've reached with their music. Very few bands actually have the power to impact the lives of people, and Carissa's Wierd are definitely one of them. Their entire career was so consistent with awe-inspiring output (if recorded depression can be considered awe-inspiring). So I really encourage checking this band out, and if you head over to the Hardly Art website, you can get a really good deal on all their records, which I definitely suggest you look into. Enjoy.

1. Heather Rhodes
2. Drunk w/The Only Saints I Know
3. Lazy Eyelids
4. To Be There Now
5. One Night Stand
6. Sitting In The Smoking Lounge Of An Airport With A Broken Heart
7. Blankets Stare
8. Fluorescent Lights
9. A Bathtile Green
10. Some Days Are Better Than Others
11. Alphabet On The Manhole

1. Brooke Daniels' Tiny Broken Finger
2. The Color That Your Eyes Changed With The Color Of Your Hair
3. Halfway Spoken Heart That Feels Comfort In Everything Until It Disappears And Then Its Gone
4. A Loose Hair Falls Into A Glass Of Water Without Ice
5. Fear Not My Friend For Tonight We Ride
6. Blessed Arms That Hold You Tight, Freezing Cold And Alone
7. All Apologies And Smiles, Yours Truly, Ugly Valentine
8. The Ghost Of A Dead Hummingbird Flying Around The Room
9. The Part About The Vine Thats Growing Through The Window And Reaching Towards My Bed
10. You Should Be At Home Here

1. You Should Be Hated Here
2. Silently Leaving the Room
3. So You Wanna Be A Superhero
4. September Come Take This Heart Away
5. Ignorant Piece Of Shit
6. The Piano Song
7. They'll Only Miss You When You Leave
8. A New Holiday (November 16th)
9. Farewell to All These Rotten Teeth
10. Sofisticated Fuck Princess Please Leave Me Alone
11. Low Budget Slow Motion Soundtrack Song For The Leaving Scene
12. (March 19th 1983) It Was Probably Green

1. Sympathy Bush
2. Figure It Out
3. Sharin' A Hole
4. Unfaileable
5. Asleep (The Smiths cover)
6. Chelsea Hotel (Leonard Cohen cover)
7. Sympathy Bush Remix
8. Gauze (Red Red Meat cover)
9. Isolation (Joy Divison cover)
10. Curtains (John Frusciante cover)
11. Ugly Valentine
12. Heather Rhodes Remix

1. Phantom Fireworks
2. Die
3. Blue Champagne Glass
4. Heather Rhodes
5. One Night Stand
6. Drunk With The Only Saints I Know
7. Brooke Daniels' Tiny Broken Finger
8. Bathtile Green
9. September
10. Ignorant
11. Blankets Stare
12. Fluorescent Light

1. Low Budget Slow Motion Soundtrack Song for the Leaving Scene
2. Die
3. The Color That Your Eyes Changed With the Color of Your Hair
4. One Night Stand
5. You Should Be Hated Here
6. Drunk With the Only Saints I Know
7. Phantom Fireworks
8. So You Wanna Be a Superhero
9. Brooke Daniels' Tiny Broken Fingers
10. Ignorant Piece of Shit
11. Blessed Arms That Hold You Tight, Freezing Cold and Alone
12. Blue Champagne Glass
13. September Come Take This Heart Away
14. All Apologies and Smiles, Yours Truely, Ugly Valentine
15. Sympathy Bush
16. They'll Only Miss You When You Leave
17. Sharin' a Hole (Bonus Track)

1. Tucson
2. Meredith & Iris