Saturday, 21 July 2018

Joliette


Joliette are a four-piece post-hardcore/mathcore band from Puebla, Mexico that formed in 2011. These guys have put out a crazy amount of material since they formed, and have earned their title as one of the hardest-hitting bands around today. They play a heavy, instrumentally intricate style of hardcore, with knee-jerk syncopation and an incredible use of dynamics. Influence from bands like The Dillinger Escape Plan is pretty evident here, along with small hints of screamo. As I said before, they've put out a slew of music, so fans of forward-thinking hardcore will have a field day to delve into here. Enjoy.

1. Solar
2. ¡Bravo Imbecil
3. A. Baldwin
4. Veinte + 20 menos
5. Juan Perez (Una Tortura Semidisminuida)

1. Están Felices
2. Voltean

1. Todos Temen
2. Todos Odian
3. Quiral
4. Martina, Merlina y Dale Con Martín
5. Say Hola!
6. Czirros
7. Qúmulos
8. California Yisus
9. Juan Matón
10. Norte Y Bravo
11. Die Stunde Des Käses

1. Joliette - Picsa de Cotsco
2. Joliette - El Queso y la Mostaza
3. ZagaZaga - Pet Cemetery
4. ZagaZaga - Industrial Estate

1. II Yonzorno
2. Habano Billullo Kilimanyavo
3. Todos Odian
4. Dolor de Marinero en la Costa del Vesubio
5. Die Stunde des Kässes
6. Say Hola!

1. Joliette - Il Yonzorno.
2. Joliette - El Coronel y El Cardenal.
3. LYED - Dark Walls
4. LYED - The Middle Children

1. Life In Vacuum - Let Us Through
2. Life In Vacuum - Black Snow
3. Life In Vacuum - New Blood
4. Joliette - Serenata
5. Joliette - no es In A Gadda Da Vida

1. Verdadero Por Accidente
2. Tionkel
3. Henry Coyote
4. Vibraparrot
5. Las Arepas de mi Padre
6. Apáccico
7. Código

1. Joliette - Henry Coyote
2. Frameworks - The New Narcissistic American Dream
3. Frameworks - Marathon
4. Joliette - Tionkel

1. El Alphabiotista
2. Dolor de Marinero en la Costa del Vesubio

Wednesday, 18 July 2018

Infant Island - Further TRACK PREMIERE

Today I've got another premiere for ya, this one courtesy of Infant Island, a four-piece band from Fredericksburg, Virginia. Coming off the heels of an incredible split with Small Hands put out last year, they are returning with a new self-titled album, which will be released August 2nd. I'm happy share the first taste of it, which comes in the form of the closing track on the album, "Further". Check it out below.



This track builds and winds, taking the listener on an emotional journey in its nearly 7-minute runtime. It opens with a gentle, reverb-coated fingerpicked guitar,  with a looming atmosphere that slowly builds as the full instrumentation enters, with some bass swells and washy cymbal work. It then throws its punches in the form of a pounding rhythm section, desperate screams, and some continued gorgeous post-rock leaning guitar work. This doesn't last long though, since it decays back into this rolling atmospheric bit, before kicking into a fret-frenzied bass line. They don't lose momentum for a second as the vocals shriek back in for a heaven-reaching crescendo. The track closes with some haunting piano clinks and white noise, an unexpected turn, but one that fits perfectly as a sendoff for both this song and this new album.

If this track is any indication of how incredible this new record is going to be, I highly suggest marking August 2nd down. It will be available in full on all digital platforms that day, as well as on cassette August 4th, and vinyl later in the month. All pre-order info can be found below, as well as the poster for their upcoming tour.


TAPES

90 on White
10 on Gold

Available for pre-order from Zegema Beach Records

VINYL

200 clear w/black haze
300 black

Available for pre-order from Middle Man Records and Conditions Records

Infant Island
Bandcamp
Facebook
Twitter

Saturday, 14 July 2018

Spiritual Cramp


Spiritual Cramp are a six-piece post-punk band from San Francisco, California that began in 2017. They have put out two EP's so far, one with React! Records, and the other with Deranged Records. They also share members with Creative Adult. Sonically, Spiritual Cramp stay loyal to the classic punk formula of high energy and raw power. They fuse the downstroke backbeat dub of The Clash with the melodic progressiveness of the Modern Lovers, and drench it in a gothic, Bauhaus-esque tinge, featuring bright guitars and wild vocals. Additionally, the Christian Death influence has to be acknowledged, since the band name is derived from one of their songs. Both Spiritual Cramp EP's are undeniably incredible post-punk with a razor edge, and highly recommended for fans of forward-thinking punk. Enjoy.

1. All My Friends Are Out Tonight (Alright)
2. Tenderloin
3. Wrecking Machine
4. The Ice Age Isn't Fucking Coming

1. Spiritual Cramp
2. 850 Bryant
3. I Feel Bad Bein' Me
4. Bloodclot

René Descartes


René Descartes were a four-piece screamo band from San Franscisco, California that were briefly around from 2015-2016. They featured former members of Flowers Taped To Pens and current members of SeeYouSpaceCowboy, which should be an immediate indication of how good this band is. They draw influence from the chaos of bands like Kodan Armada and Saetia, which their own unique attitude thrown into the mix. Both their demo and posthumously released S/T are fantastic documents of solid screamo, definitely recommended for fans of any of the aforementioned bands. Enjoy.

1. You Had Me At "Noam Chomsky"...
2. Dance Dance Queer Revolution
3. Solace//Despair (Nothing Is Concrete)
4. ...Just The Kids Who Built Community

1. Those lives Found In That Time
2. Subjugation Of Physical Validation
3. Repressed Life Lessons

Thursday, 12 July 2018

Palmkite


Palmkite are a four-piece emo/indie band from Northport, New York that formed in 2009. They're quite an underrated bands to come out of the original "emo revival", and share a lot of sonic similarities with other early bands, such as Joie de Vivre or Hightide Hotel. Palmkite play with clean, noodly guitars and forlorn, Braid-esque vocals, with some awesome lyrics behind them. Thus far the band's releases are 3/3, with even their demo being a standout release. Unfortunately, they haven't put anything out since late 2014, and are currently on an unofficial hiatus. Hopefully we'll get some new material from them sometime in the future, but for now, we have these incredible throwbacks. Enjoy.

1. We Should Have Done This Yesterday
2. Trust In Time Travel
3. Is Any Of You Guys Mike?
4. No View
5. Your Alma Mater

1. Outlaws With Style, In A Class All Their Own
2. Blyngwie Malmsteen
3. Stay Outta Trouble
4. Thanks For The Dinosaur

1. Eye On The Door
2. Didn't We Do This Yesterday?
3. Manufacturer's Delight
4. One Day, You'll Be Cool
5. Got An Extra Hour

Wednesday, 11 July 2018

Darkle


Darkle are a four-piece emo/math rock/screamo band from New Lenox, Illinois that formed in 2015. They play a modern style of emo akin to bands like Prince Daddy & The Hyena and Mom Jeans., but with more experimental elements, and a slightly darker sound than bands like that (as their name might suggest). They play with that mathy/screamy/twinkly blend that hints at some Merchant Ships influence as well, with catchy vocals and despairing lyrics. Their most recent EP, Pain Train, is a loose concept outlining the five stages of grief, with each track offering up a unique tone and eclectic instrumentation which makes for a rollercoaster listen. Definitely good stuff here, highly recommended. Enjoy.

1. Boo hoo Radley
2. Rock! the Dwayne Johnson
3. Context High

1. Welcome to your retirement party, forever
2. I'm definitely cool and not a loser (smoking weed song)
3. Millennial Trash
4. Context High
5. Rock! the Dwayne Johnson
6. Boo Hoo Radley
7. Kinda like kind of like spitting
8. Clonazejam!

1. Not Horrible, Sometimes Unbearable

1. Nothing Like a Good Feeling
2. Eddie Manghetti & The Western Spaghetti
3. Chillantro
4. Loser POV
5. I Refuse To Sparkle

Saturday, 30 June 2018

Slaughter Beach, Dog


Alright, you can cool it with the requests. Finally, here is Slaughter Beach, Dog, the project spearheaded by Modern Baseball singer/guitarist Jake Ewald that began in 2015. To date, he's released two EP's and two full-lengths, all of which have been a fantastic substitute to fill the void left by MoBo's hiatus (even though projects were active at the same time). Ewald's solo material definitely features some of his charismatic writing, with a focus on personal anecdotes involving characters and places. Sonically, he takes influence from the principal singer-songwriters of bands like Pedro The Lion and The Weakerthans. Not much else to say really, he's already established himself as a fantastic songwriter, and this project gives him a more subdued sound to allow his melody and lyrics to flow through. Enjoy.

1. Mallrat Semi-Annual
2. Real Annie
3. Bed Fest
4. Annie
5. Toronto Mug

1. Mallrat Semi-Annual
2. Toronto Mug
3. Monsters
4. Bed Fest
5. Forever
6. Jobs
7. Politics Of Grooming
8. Drinks
9. Toronto Mug II
10. Essex Street

1. Your Cat
2. Glowing
3. 104 Degrees
4. Building The Ark

1. Phoenix
2. Gold and Green
3. Pretty O.K.
4. Bad Beer
5. Shapes I Know
6. Sleepwalking
7. Fish Fry
8. Buttercup
9. Friend Song
10. Acoltye

Monday, 25 June 2018

Snag / Swallows Nest SPLIT PREMIERE


Alright, I've got another premiere for ya, and this one I'm especially pumped about. I'm happy to share the new split between Milwaukee's Snag and New Zealand's Swallows Nest. I'm lucky to have an exclusive stream of this incredible split here for you to check out. This release is as collaborative as they come, with Sam from Snag putting together the amazing artwork, and Dave of Swallows Nest putting out the tapes through the as-you-already-know fantastic label Zegema Beach Records. Those tapes will be available worldwide through the label, as well as through the bands in their respective countries.

This one I'm especially excited about because not only do we get three new tracks of screamy goodness and my useless ramblings, but also interviews with a member of each band to get the background on how these songs and recordings came to be. Check all of that out, in addition to the artwork, the full stream and more beeeeelow.




REVIEW

Snag come firing out of the woodwork on this split with some of the heaviest, most neck-snapping riffs I have ever heard. Within the first minute, they've entered a bone-chilling build-up, based around the unsettling mantra "and we eat our young", which culminates in a swelling chaos of apocalyptic proportions. The bass hits as heavy as a steamroller, with dissonant guitars noisily chipping away at the foundation. This track offers an intense sonic journey, which recalls one of the all-time greats, City Of Caterpillar. This is the soundtrack to a world ending not with a bang or a whimper, but a full-fledged forest fire with no end in sight. I'm not sure what else needs to be said about this song, it absolutely floored me when I heard it, and am fully anticipating the same reaction from most of you. This is what I love so much about modern screamo, how "progressively familiar" it can be. It's a distinct genre that creative bands are still finding ways to set the bar in.

Swallows Nest are a band you might be familiar with from the split they did with Crowning earlier this year. "Dark Hamz" opens with an Eternal Sunshine of the Spotless Mind sample, which is just about the greatest way to start a song. The band wastes no time after that going full-throttle into blast beats and tremolo-picked guitars. They utilize two vocalists, which furiously weave in and out and on top of each other in a natural "harmony" (if such a word can be applied). Another thing I found of note here was the bass, which often times provides a subtle melodic backbone to the song. It's those little details that really change the feeling of a song, and that's expressed excellently here.

Their second song, "Apathy As An Infinite Manifestation" begins by burning slowly with a trebly, arpeggiated guitar before firing on all cylinders. The moments of full-band syncopation hit home, and the vocals really play well off each other. One is guttural and menacing, while the high and shrieked. When they alternate, it sounds like an inner conflict one might have, with two voices arguing at one volume: screaming. It's an incredible culmination to this split, one that truly blew me away. You can check out the video for that track below.



INTERVIEW

Peter (Snag): David from Swallow's Nest asked if we wanted to do a split and without hesitation we agreed. We discussed general ideas for what we wanted this to be, and Dave suggested the theme of violence, so we fixated on that a little bit. The Parkland, Florida school shooting happened right around the time we wrote this song, and so the concept seemed extremely fitting for what was on everyone's minds at the time. That having been said, the concept that violence is intersectional is one that weaves through a lot of our music. When we started this band our first songs focused on themes relating to climate change and environmental devastation. That's certainly still the case but we feel that a similar mindset informs all forms of oppressive violence. The same internal logic that allows a human to open fire on their peers in a school is the one that allows someone to abuse their partner, allows the state to round up and/or murder minorities, allows an economic order to extract resources at the expensive of life on the planet.

We used a sample from True Detective that connects these concepts to the idea of a self. And we borrow some lyrical content from the ideas Ursula LeGuin put in her novel The Dispossessed, which is about an actualized anarchist society on a resource-poor moon. In the context of extreme violence in the form of domination of one over others or systems over individuals at multiple levels, this song's message is about turning away from destructive notions of a hyper-individual self and turning instead towards mutualism.

We put together this song over the course of 2 days, and then recorded it with our friend Dante Fumo at his studio on the south side of Milwaukee in an afternoon. It's our favorite song that we've written and we've been itching to release it. We're absolutely thrilled to have worked with Dave and Swallow's Nest on this project.

Kevin (Sophie's Floorboard): What was the inspiration behind choosing violence as theme for this split, and how does that theme factor into your side of the split?

Dave (Swallows Nest): I'm not really sure what the catalyst was for that. I have noticed in the last 15 years that my lyrics have gone from being about heartbreak to focusing on purely social/political/environmental issues. It's not a concentrated effort, it just happens. I'm so fucking angry at most of the people on this planet for their greed, hate, intolerance, pollution, selfishness, arrogance and violence that lyrics don't usually come out of me in any other way nowadays. I told Snag that I wanted to do a very environmentally conscious release that was violent and about human violence.

Our side of the split is a little less based on violence and more toward apathy and selfishness. particularly on the second track "Apathy as an Infinite Manifestation". I wrote the lyrics for this as a retort to complete pacifism in the wake of corporate and government led terrorism abroad and within. It's also about being so self-centered that we are purposefully looking away from our collective species' suicide or, somehow, finding ridiculous justifications for it. The first of the two songs is called "Dark Hamz" and was just a joke title that I had as it sounded like Dark Hardcore Skramz to me, and then I just shortened it. Before that I referred to it as the Buried Inside intro song, thanks to Jörg's undeniably awesome bass riff. The song mirrors my relationship with my wife in New Zealand (she was suffering from intense morning sickness and the weather got her extremely depressed and negative) with humanity's connection with nature, urging both to reconcile their differences and live in harmony.

Kevin (Sophie's Floorboard): What was the background (writing/recording) for your material on this split?

Dave (Swallows Nest): We wrote 7 songs as a four-piece with myself on vocals, Matt on guitar, Jörg on bass and Gabe on drums, but upon the news of my departure back to Canada we decided to enlist Jörg's partner Lana (both played in Yung Nat$ together) and, as I'm a sucker for dual vocalists, we decided to record those songs as a five-piece. The band is back to a four-piece with Lana on vocals but Matt moved to the North island of New Zealand and the band is kind of a semi-internet based thing, although they/we are working on new material for next year.

These two songs on this Snag cassette follow "A Subtle Knife For New Doors" on the Crowning split 7" and then we've got four more that'll end up on a self-titled cassette that we'll release before 2018 concludes.

Kevin (Sophie's Floorboard): I've got to ask because of my deep-seated obsession with this film. Why/how did the Eternal Sunshine of the Spotless Mind sample on "Dark Hamz" come about?

Dave (Swallows Nest): I'm a big fan of putting movie audio clips into songs, mostly because I've been in love with Graf Orlock for over a decade and think choosing the right one can really give the song something extra. Plus I get to geek out with people when they get the quote or ask to know where it came from.

This one came into being because my wife and I were having issues, primarily due to her morning sickness from her second pregnancy. I was also trying to correlate our relationship (embellishing the problems bigger than they were) with our struggle within society, and to fight in both cases for love, truth, compassion and happiness..."or we'll wash away." (not unlike the sandcastles getting toppled in the music video for "Apathy as an Infinite Manifestation")

Also, I knew I wanted a quote from that movie to go into the song and when I got to that part where Jim Carrey's character begins erasing his memory of his partner in response to her erasing her memory of him, truly an eye for an eye situation which we as humans dish out all too often.





Snag

Swallows Nest

Zegema Beach Records

Friday, 22 June 2018

Gillian Carter


This one has been a long-time coming, and a huge weight off my chest to finally get posted here. I mean this in the best and happiest of terms, because this band has been so highly requested and put out so much incredible material. It just took my lazy ass a few years to get around to doing it, haha. I'm talking of course about Gillian Carter, a three-piece screamo band from Palm Bay, Florida that formed in 2005. They play an emotionally intensive style of screamo that blends an array of other sounds, including post-rock, melodic hardcore, emo, post-hardcore, and and even acoustic elements in the mix.

They're a band that really does strive to craft its own path, with every track offering up something new. This makes for their two most recent full-lengths, Lost Ships Sinking With The Sunset and Dreams Of Suffocation being absolute landmark albums. For a loose band comparison, just to get an idea of sound, think Envy, State Faults, and early Pianos Become The Teeth. They've been fairly prolific over the years (well, relatively for a genre where more than one full-length could be considered "prolific"), with a handful of releases over the years. Essentials would be the two aforementioned albums, as well as their recent splits with Eyelet and Coma Regalia. Even then, they've been quite consistent for a band that has been kicking around as long as they have. Super happy to finally share this incredible band with ya, enjoy.

1. When The Music Stopped demo
2. Unspoken Words Demo
3. Dancing Under The Starts split with mayans version
4. Chapter 1 demo
5. The Storm Demo
6. The Conversation Demo
7. The Letter And The Response demo
8. The Epilogue (Of Things Unsung) demo
9. The Calm Demo
10. The Flood demo
11. Intermission
12. Between Space And Time self done album demo version with hade
13. The Calm That Didnt Come
14. The 14 Minute Goodbye
15. Welcome To That Special Place
16. Between Space And Time original demo with hade
17. The Faces You Once Remembered Now Have A Name
18. Spring Song
19. Gillian Carter
20. Kool Song (guitar And Drums - First Song Ever).
21. Omg (original Space And Time)
22. Between Space And Time alt. version
23. 14 Minute Goodbye alt. version

1. Chapter 1 
2. The Storm
3. The Conversation
4. The Letter And The Response
5. The Epilogue
6. The Calm
7. The Flood
8. (untitled)
9. Between Space And Time
10. Thank-You For The Memories

Note: 2017 Mastered version here

1. Intro
2. The Same Landmarks That Used To Miss Us
3. Memoirs
4. Having Lost...
5. Drowning Alone
6. The Same Misconceptions (past & present)
7. Dialogue
8. Interlude
9. March 17, 2007
10. Thoughts-Conversations
11. Bittersweet News
12. Realizations
13. Coming Along

1. Gillian Carter - Early Retirements
2. Gillian Carter - No Comment
3. Gillian Carter - Instrumental
4. Gillian Carter - Graduating With Honors
5. Gillian Carter - I've Been Forgotten And So Have You
6. Ghost Aviary - Chelsea
7. Ghost Aviary - Anya Did Coke For Like A Week
8. Ghost Aviary - Eat Your Cake, Panda; It's Gonna Be A Long Night 
9. Ghost Aviary - Ghosts Scare The Shit Out Of Me
10. Ghost Aviary - Math Event

1. Henrietta - A Spectrum
2. Henrietta - Blood Wool
3. Gillian Carter - Always
4. Gillian Carter - Remembering
5. Gillian Carter - Decisions
6. Echo Base - Launchies
7. Echo Base - Mike Bibby

1. Recently...
2. Dissertation #1 (Trapped)
3. Thesis Statement
4. Waking Up (Lost Ships)
5. Time (All That Is Left Is Fading)
6. I've Been Forgotten & So Have You
7. Sinking With The Sunset
8. Spring Song

1. I Went Down With The Ship (To Save My Family)
2. When The Music Stopped 2012
3. The Storm (The w/o Alan Version)
4. The Letter & The Response a.k.a The Blaq Metal Song (Version for 2012)
5. The Calm (2012 Version)
6. The Flood (2012 Version)
7. Vocal Warm Ups For 2012
8. Some Days...

1. Another Blank Page

1. Lament
2. Remembering Her The Way She Was (Alive)
3. Sparks To The Sky
4. Fragments Of A Eulogy
5. (Fuck Everything) One Day I'll Die
6. This Title Means Nothing
7. Rotting
8. Despondency
9. Rest In Peace 2012's Interlude
10. Discouragement (Better Luck Next Year)

1. Gillian Carter - The Novelty of Joy
2. Coma Regalia - The King Of Slings

1. Gillian Carter - Despair
2. Gillian Carter - Anguish
3. Eyelet - Famine
4. Eyelet - Cowardice

Reveries


Reveries are a four-piece screamo/post-hardcore band from Boston, Massachusetts that formed in 2016. They play an instrumentally intricate but melodic style of screamo that hits hard without delving into absolute chaos. The vocals keep the lyrics semi-descernible (which is a good thing, they're solid lyrics), and are delivered in a screamed-spoken hybrid. Sonically, Reveries could be loosely compared to bands like Kidcrash, Shizune, Innards, and Age Sixteen, or something like that. They just released their debut self-titled album, which is out on cassette via Emo Cat Records and vinyl via Ancient Injury. Highly recommended. Enjoy.

1. Growing Older
2. A Modern Invasion
3. A Thousand Suns
4. Rainwater Drowning
5. Firelight
6. An Undelivered Letter
7. Low Doses
8. Undergrowth
9. Fall Failings