Showing posts with label Hermosa Beach. Show all posts
Showing posts with label Hermosa Beach. Show all posts

Saturday, 16 December 2023

Circle Jerks

Here's one that's been overdue for as long as this blog has existed. This was one of the first hardcore bands I ever heard, and my introduction to them among others quite literally changed my life. I revisited their early albums for the first time in a while and they are just as raw and unrefined as ever, and it's awesome.

As a quick summary, the Circle Jerks are from Hermosa Beach, California and formed in 1979. Its two founding members were vocalist Keith Morris and guitarist Greg Hetson, who have been the band's sole constants throughout their duration. The former had left Black Flag, though left his mark on that band forever by providing vocals on the now-legendary Nervous Breakdown EP. Hetson was briefly a member of Redd Kross, but left them upon the Circle Jerks formation. The first incarnation of this band was rounded out by bassist Roger Rogerson and drummer Lucky Lehrer. Both of them were incredible musicians for a scrappy punk rock outfit, with Lehrer in particular being a standout for bringing his background in jazz to the band.

Group Sex, the band's debut, was recorded and released in 1980. Without a doubt this is their undisputed classic. Its 14 tracks in 15 minutes of unbridled, sneering and nasty energy, with an outward anger and an inner complacency. They tackle a number of subjects across its tracklist with a balance of personal and political leanings, but all with an ooze of resounding dissatisfaction. Its lyrics are quick-witted and raunchy, the guitar riffs spark and crackle, the rhythm section is blazingly fast but never overtly sloppy. This is a record that I've listened to a 1000 times, and cuts like "Live Fast, Die Young", "Back Against The Wall", "I Just Want Some Skank", or the Black Flag carryovers "Don't Care" and "Wasted" still get my heart pounding. If you're even remotely into early hardcore or punk rock in general, this is a stone-cold classic.


The following year, this era of the band was immortalized in the documentary The Decline Of Western Civilization, which followed LA punk bands and the burgeoning hardcore scene in 1979 and 1980. Circle Jerks were one of the bands featured, alongside Black Flag, The Germs, X, and Fear, among others. Wild In The Streets came out in 1982. It's a solid follow-up, though doesn't hit the same tangible bursts of energy and brevity that made their debut so impactful. The songs here are a little more fleshed out, though not quite as memorable. Admittedly, the cover songs on here (the opening title track and the closer "Put A Little Love In Your Heart") are probably the two biggest standouts. Not to disparage the rest of it entirely, as it's a solid cut of undoubtedly influential SoCal punk, and a record I still loved listening through to while working on this on.

Lehrer unfortunately left the band around the time they were recording Golden Shower Of Hits, their 1983 release. He was replaced by John Ingram, who only played on this particular album. In some ways it is a return to form, with those raucous hardcore blasts and toilet humour coming back.  However, other songs lean even further away from this, like the melodic title track of the closing covers medley. It's a solid albeit slightly disjointed album, with a few more highs than its predecessor.

Things really changed up in 1984, following the departure of not only Lehrer but also Rogerson, who was replaced by long-time member Zander Schloss. Greg Hetson became a guitarist for Bad Religion, who he played with until 2013. The next two Circle Jerks records are fairly divisive, as they slowed down the tempos and started incorporating metal riffs. It's not something they execute particularly well, though there a handful of songs off of Wonderful that always stuck with me ("Making The Bombs", "Killing For Jesus"). They ended up breaking up in 1990, with Hetson focusing on Bad Religion full-time. They reunited in 1994, releasing a brand new album in 1995. Outside of The Soft Boys cover "I Wanna Destroy You", there's really nothing memorable on the aptly-titled Oddities, Abnormalities and Curiosities.

Since then, they've been active on again and off again in some capacity for the better part of the last 20 years, only touring sporadically and releasing no new material, aside from a single in 2007. They did officially split in 2011. Around the same time that Morris founded Off!, a band I honestly think is better than most of the Circle Jerks material. He also took the helm in FLAG, a band consisting of other former Black Flag members playing shows doing Black Flag songs. He came back around to his main project in 2019, along with Hetson and Schloss to do some shows for Group Sex's 40th anniversary. This resulted in some complications (1980 + 40 = 2020). But they're going strong now, and will actually be touring in 2024 with the Descendents.

That about does it, this band has a fairly interesting history and an immense amount of influence, especially that early material. I don't want to beat a dead horse here, but Group Sex is a must-listen, and admittedly a ton of this band's legacy hinges solely on that record. It's worth digging deeper if you haven't before, as there are some gems here and there. Enjoy.

1. Deny Everything
2. I Just Want Some Skank
3. Beverly Hills
4. Operation
5. Back Against The Wall
6. Wasted
7. Behind The Door
8. World Up My Ass
9. Paid Vacation
10. Don't Care
11. Live Fast, Die Young
12. What's Your Problem
13. Group Sex
14. Red Tape

9. Red Tape
10. Back Against The Wall
11. I Just Want Some Skank
12. Beverly Hills

1. Wild In The Streets
2. Leave Me Alone
3. Stars And Stripes
4. 86'd (Good As Gone)
5. Meet The Press
6. Trapped
7. Murder The Disturbed
8. Letter Bomb
9. Question Authority
10. Defamation Innuendo
11. Moral Majority
12. Forced Labor
13. Political Stu
14. Just Like Me
15. Put A Little Love In Your Heart

1. In Your Eyes
2. Parade Of The Horribles
3. Under The Gun
4. When The Shit Hits The Fan
5. Bad Words
6. Red Blanket Room
7. High Price On Our Heads
8. Coup D'Etat
9. Product of My Environment
10. Rats Of Reality
11.Junk Mail
12. Golden Showers Of Hits (Jerks On 45)

1. Wonderful
2. Firebaugh
3. Making The Bombs
4. Mrs. Jones
5. Dude
6. American Heavy Metal Weekend
7. I, I & I
8. The Crowd
9. Killing For Jesus
10. Karma Stew
11. 15 Minutes
12. Rock House
13. Another Broken Heart For Snake

1. Beat Me Senseless
2. Patty's Killing Mel
3. Casualty Vampire
4. Tell Me Why
5. Protection
6. I'm Alive
7. Status Clinger
8. Living
9. American Way
10. Fortunate Son
11. Love Kills
12. All Wound Up
13. I Don't

1. Beat Me Senseless
2. High Price On Our Heads
3. Letter Bomb
4. In Your Eyes
5. Making The Bombs
6. All Wound Up
7. Coup D'Etat
8. Mrs. Jones
9. Back Against The Wall
10. Casualty Vampires
11. I Don't
12. Making Time
13. Junk Mail
14. I, I & I
15. World Up My Ass
16. I Just Want Some Skank
17. Beverly Hills
18. The Crowd
19. When The Shit Hits The Fan
20. Deny Everything
21. Wonderful
22. Wild In The Streets

1. Teenage Electric
2. Anxious Boy
3. 22
4. Shining Through The Door
5. I Wanna Destroy You
6. Shipping Sink
7. Brick
8. Fable
9. Dog
10. Grey Life
11. Exhaust Breath
12. Career Day

1. I'm Gonna Live

1. Moral Majority
2. Broken Glass / Letter Bomb
3. Back Against The Wall / Question Authority
4. The World Up My Ass
5. I Just Want Some Skank / Beverly Hills
6. Operation
7. Wild In The Streets
8. Red Tape / 86'd (Good As Gone)
9. Meet The Press
10. Murder The Disturbed
11. Deny Everything / What's Your Problem
12. Paid Vacation / Trapped
13. Stars & Stripes
14. Room 13 / Behind The Door
15. Defamation Innuendo
16. Don't Care / Live Fast, Die Young
17. Wasted
18. Just Like Me / Put A Little Love In Your Heart

Tuesday, 7 June 2016

Black Flag


I had to share my Black Flag collection eventually, so here it is. If there's one way to describe this band, it's "iconic", at least for part of their career. Whether it be the classic Damaged, the teeth-clenched My War, songs like "Nervous Breakdown", the band's very interesting history, or the "bars" logo which is recognizable to people who don't even listen to the band (and which I admittedly have embedded in my skin), Black Flag are one of punk rock's flagships and icons.


Trying to start an introduction on the band's history in no easy task. They've got a very long and rich history that's documented in a ton of great sources (The Decline Of Western Civilization, Get In The Van, and many, many more) which do a much better job than I ever could. Basically, Black Flag began in Hermosa Beach, California under the name Panic in 1976 by the band's sole continuous member, guitarist Greg Ginn, whose label SST also released the band's material. Aside from him, the band had a revolving door of members that I could not even begin to get into details about. In the band's early days, the other most noteworthy member was bassist Chuck Dukowski, who stayed with them until '83. Black Flag also went through three singers, the first being Keith Morris. He later formed the Circle Jerks, OFF!, and stayed very active in the punk community to this day. He also currently fronts Flag, but we'll get to that. Besides a bunch of demos, he only appeared on the band's debut EP, Nervous Breakdown, which is considered to be one of the first, if not the first, hardcore punk release ever. It's been infinitely influential to this day. Their second vocalist, Ron Reyes, appeared on Jealous Again and came back to sing on 2013's What The..., which is quite aptly titled, but we'll also get to that later. Their third vocalist was Dez Cadena, whose guttural shouts brought the band into an angrier, noisier territory. The main material these three guys put out with Black Flag is all included on The First Four Years, which is a punk rock essential. The demos and outtakes from this era appear on Everything Went Black, which is a really interesting listen to hear each vocalist's take on the early songs.


Hardcore '81. Cadena's vocal chords were being shredded to hell (check out some live stuff from him, you'll see why), and the band was in need of a new vocalist, since Cadena wanted to play rhythm guitar. This guy from DC had been playing in this band called State Of Alert and managing the local Haagen Daz. After going up to see Black Flag play in New York, he hopped onstage with them to perform "Clocked In", since he had to drive back to DC to scoop ice cream the next day. A few days later, he gets a call inviting him up to audition for the band's new vocalist. And just like that, Henry Garfield becomes Henry Rollins, and the rest is history. Sort of. The band's "classic" line-up was now fully formed, featuring Rollins on vocals, Ginn on guitar, Cadena on rhythm guitar, Dukowski on bass, and Robo (also of The Misfits) on drums. They recorded their first full-length album, Damaged, which featured Rollins punching a mirror on the cover, which is a pretty accurate representation of the music on it. Some of the angriest, noisiest, and most intense hardcore of the time is found right here, from the Reagan-era anthem "Rise Above" to the distressed stream of consciousness "Damaged I". The album is highly regarded, and for good reason.


Damaged was meant to be distributed by Unicorn Records, a subsidiary of MCA at that time, who pulled back on their distribution deal after hearing the album. SST and the band said fuck it and distributed it themselves, which lead to a lawsuit that lasted for the next few years. During this time, the band recorded a handful of demos with drummer Chuck Biscuits (who was in D.O.A. and later Danzig), which are really damn good. They were finally able to release proper records again in 1984, after putting together a ton of material in the years prior. 1984 saw the release of three Black Flag full-lengths and a live album, with a new line-up featuring Rollins and Ginn, as well as bassist Kira Roessler and drummer Bill Stevenson (from the Descendents). My War came first, which featured a slowed-down, metal-inspired sound, which alienated a lot of fans waiting for another Nervous Breakdown. Especially the second side of the album, which was three long, slow songs completely consumed with anger.  As the years went on, it became an influence on grunge and sludge metal, and now held in higher regard as the phenomenal album that it is. Following that was Family Man, which was split into two parts. The first half featured Rollins' spoken word, and the second half featured the experimental jazz and punk fusion that Ginn would continue to explore on The Process Of Weeding Out and his other project Gone. One song, "Armageddon Man", is a combination of both sides, which makes for a demented yet intriguing listen. The end of 1984 resulted in a great live album, Live '84, and another full-length Slip It In, which is a slew of diverse but continuously good material.


The gravitation towards heavy metal continued into 1985 with Loose Nut, which only continued to alienate their fanbase. Black Flag have always had their share of opposition, whether it be the LAPD in their early days, or their own fans later on, they managed to continue on. By now they were more than used to being attacked at shows, particularly Rollins who became the scapegoat to blame for the band's changing sound. By 1985, he was the fully-formed muscled-out, tatted-up, short-short wearing long-haired beast that he's most iconic for in his Black Flag days. Check out their live stuff from this era, it's incredibly intense. When it came to the records though, Loose Nut isn't exactly their most critically-lauded or fan favourite from the band, though I still think it's a great album that has a ton of gems and some standout tracks which could almost be described as catchy (just listen to the chorus on "Bastard In Love"). The heavy metal inspiration peaked on the band's last album (as far as I'm concerned), which was In My Head. Again, it's not the most recognized of Black Flag's material, but it's a solid album front-to-back nonetheless.


By 1986 the band had begun to dissolve. Stevenson and Roessler had left the band, and tensions from the band's vigorous touring schedule and continued experimentation had really started to take a toll on the remaining members. The legendary Black Flag ended in a phone call from Ginn to Rollins, and that was it. All its members went their separate ways and got involved in a bunch of other projects, leaving the bars behind. A handful of members have gotten together on occasion post-2000 to perform some songs, but that's about it.


If there really is a benevolent god, he is not a fan of Black Flag. In 2013, Greg Ginn and Ron Reyes got together under the Black Flag name to play shows and record a new album. The result was What The..., which is as aptly titled as they come. Putting the name and awful cover art aside, it's an incredibly average punk album, which doesn't carry any of the raw energy that they did in their earliest days. It's basically a bastardization of the name, which resulted in even more revolt than My War did years ago. This didn't last long though, since Reyes was kicked out and replaced by skater Mike Vallely. Reyes just can't seem to catch a break with the Black Flag name. when he quit back in 1980, he was credited as "Chavo Pederast" (basically saying he's a pedophile) on Jealous Again as "revenge", and now after coming back years later he gets the boot once again. This incarnation of Black Flag (if you want to call it that) was done by the end of 2014. At the same time, another form of the band sprung up, this one going under the name Flag. It features Morris, Dukowski, Stevenson, Cadena and the Descendents' guitarist Stephen Egerton, and it is definitely the more respectable tribute to the original band, though there's no denying that Greg Ginn IS Black Flag.


Personally, they were a huge influence on me musically. They weren't really my introduction to punk, but they (along with a few others) were definitely my introduction into hardcore, and the wonderful world of the 80's American underground rock, which I still think contains some of the best music ever put out, whether it be Black Flag, Sonic Youth, Mission Of Burma, Rites Of Spring, you name it. I remember watching "Depression" from The Decline Of Western Civilization and thinking "holy fuck", because I had never "got" music like that before, and it's kind of stuck with me ever since. But enough self-indulgence, get into this band. At least The First Four Years, Damaged, and My War, because those are the absolute essentials, and I question your sanity if you don't give them a listen. Enjoy.

1. No Values
2. White Minority
3. I Don't Care
4. Gimme Gimme Gimme
5. Wasted
6. I Don't Care
7. Instrumental
8. I Don't Care (2)

1. Nervous Breakdown
2. Fix Me
3. I've Had It
4. Wasted

1. Jealous Again
2. Revenge
3. White Minority
4. No Values
5. You Bet We've Got Something Personal Against You

1. Six Pack
2. I've Heard It Before
3. American Waste

1. Louie Louie
2. Damaged I

1. White Minority (Live)
2. Depression (Live)
3. Revenge (Live)

1. Thirsty And Miserable
2. Life Of Pain

1. Rise Above
2. Spray Paint (The Walls)
3. Six Pack
4. What I See
5. TV Party
6. Thirsty And Miserable
7. Police Story
8. Gimmie Gimmie Gimmie
9. Depression
10. Room 13
11. Damaged II
12. No More
13. Padded Cell
14. Life Of Pain
15. Damaged I

1. Police Story
2. Nervous Breakdown
3. Depression
4. I've Heard It Before
5. You Bet We've Got Something Personal Against You

Note: Live bootleg

1. TV Party
2. I've Got To Run
3. My Rules

1. Gimmie Gimmie Gimmie
2. I Don't Care
3. White Minority
4. No Values
5. Revenge
6. Depression
7. Clocked In
8. Police Story
9. Wasted
10. Gimmie Gimmie Gimmie
11. Depression
12. Police Story
13. Clocked In
14. My Rules
15. Jealous Again
16. Police Story
17. Damaged I
18. Louie Louie
19. No More
20. Room 13
21. Depression
22. Damaged II
23. Padded Cell
24. Gimmie Gimmie Gimmie
25. Crass Commercialism

1. What Can You Believe?
2. Yes I Know
3. Slip It In
4. Modern Man
5. My War
6. Black Coffee
7. Beat My Head Against The Wall
8. I Can't Decide
9. I Love You
10. Nothing Left Inside
11. I Love You
12. My War
13. Interview Session
14. Swinging Man

1. What Can You Believe?
2. Modern Man
3. Slip It In

1. Nervous Breakdown
2. Fix Me
3. I've Had It
4. Wasted
5. Jealous Again
6. Revenge
7. White Minority
8. No Values
9. You Bet We've Got Something Personal Against You
10. Clocked In
11. Six Pack
12. I've Heard It Before
13. American Waste
14. Machine
15. Louie Louie
16. Damaged I

1. I Love You
2. My War
3. Swinging Man
4. Interview Rado Tokyo 1984

1. My War
2. Can't Decide
3. Beat My Head Against The Wall
4. I Love You
5. Forever Time
6. Swinging Man
7. Nothing Left Inside
8. Three Nights
9. Scream

1. Family Man
2. Salt On A Slug
3. Hollywood Diary
4. Let Your Fingers Do The Walking
5. Shed Reading (Rattus Norvegicus)
6. No Deposit, No Return
7. Armageddon Man
8. Long Lost Dog Of It
9. I Won't Stick Any Of You Unless And Until I Can Stick All Of You!
10. Account For What?
11. The Pups Are Doggin' It

1. Slip It In
2. Black Coffee
3. Wound Up
4. Rat's Eyes
5. Obliteration
6. The Bars
7. My Ghetto
8. You're Not Evil

1. The Process of Weeding Out
2. Nervous Breakdown
3. Can't Decide
4. Slip It In
5. My Ghetto
6. Black Coffee
7. I Won't Stick Any Of You Until and Unless I Stick All Of You!
8. Forever Time
9. Fix Me
10. Six Pack
11. My War
12. Jealous Again
13. I Love You
14. Swinging Man
15. Three Nights
16. Nothing Left Inside
17. Wound Up
18. Rat's Eyes
19. The Bars

1. 01

Note: One file, bunch of live tracks

1. Loose Nut
2. Bastard In Love
3. Annihilate This Week
4. Best One Yet
5. Modern Man
6. This Is Good
7. I'm The One
8. Sinking
9. Now She's Black

1. Your Last Affront
2. Screw The Law
3. The Process Of Weeding Out
4. Southern Rise

1. Paralyzed
2. The Crazy Love
3. Black Love
4. White Hot
5. In My Head
6. Out Of This world
7. I Can See You
8. Drinking And Driving
9. Retired At 21
10. Society's Tease
11. It's All Up To You
12. You Let Me Down

1. Loose Nut
2. I'm The One
3. Annihilate This Week
4. Wasted
5. Bastard In Love
6. Modern Man
7. This Is Good
8. In My Head
9. Sinking
10. Jam
11. Best One Yet
12. My War
13. Slip It In/Gimmie Gimmie Gimmie
14. Drinking And Driving
15. Louie, Louie

1. Minutemen & Black Flag - Fetch The Water
2. Minutemen & Black Flag - Power Failure
3. Minutemen & Black Flag - Friends
4. Minutemen & Black Flag - Candy Rush

1. Wasted
2. TV Party
3. Six Pack
4. I Don't Care
5. I've Had It
6. Jealous Again
7. Slip It In
8. Annihilate This Week
9. Loose Nut
10. Gimmie Gimmie Gimmie
11. Louie Louie
12. Drinking And Driving

1. Annihilate This Week
2. Best One Yet
3. Sinking

1. I Can See You
2. Kickin' & Stickin'
3. Out Of This World
4. You Let Me Down

Disc 1
1. No Martyrs
2. I've Heard It Before
3. Room 13
4. Depression
5. I Can't Decide
6. Nervous Breakdown
7. Jealous Again
8. Scream
9. Six Pack
10. No Values
11. I've Had It
12. My Life
13. I've Got To Run
14. My Rules
15. Modern Man
16. Beat My Head Against The Wall
17. Fix Me
18. Rise Above
19. TV Party
20. Wasted
21. Revenge

Disc 2
1. Band Intros/Scream
2. Jazz Poetry
3. Revenge
4. I've Gotta Run
5. My Rules
6. I've Heard It Before
7. Room 13
8. Depression
9. I've Had It
10. Nervous Breakdown
11. Jealous Again
12. My Life

1. My Heart's Pumping
2. Down In The Dirt
3. Blood And Ashes
4. Now Is The Time
5. Wallow And Despair
6. Slow Your Ass Down
7. It's So Absurd
8. Shut Up
9. This Is Hell
10. Go Away
11. The Bitter End
12. The Chase
13. I'm Sick
14. It's Not My Time To Go-Go
15. Lies
16. Get Out Of My Way
17. Outside
18. No Teeth
19. To Hell And Back
20. Give Me All Your Dough
21. You Gotta Be Joking
22. Off My Shoulders